• Zoran Mojsilov: North Dakota Museum of Art, 2009. Catalog of the artist’s mid-career survey written and edited by exhibition curator Laurel Reuter. Hardcover, 96 pages, 10 x 8.5 inches, 99 full-color reproductions, published by the North Dakota Museum of Art in conjunction with the artist’s exhibition in summer 2009. Mojsilov, was born in Belgrade, Yugoslavia, where he graduated from the University of Belgrade in 1979 before leaving for Paris. During the early 1980s he immigrated to the United States and settled in Minneapolis where he continues to live and work. Reproduced in the book are most of the artist’s public sculptures and commissioned installations from across the United States and Europe. These can be found in such places as Runneymede Sculpture Farm in Woodside, CA; Camden Gateway Project in Minneapolis, MN; Chattanooga State Technical Community College, Chattanooga, TN; Gallery Bruno Mory, Besanceuil, Bonnay, France; Grounds for Sculpture, Hamilton, NJ; University of Wisconsin, Stevens Point; Historic Walker’s Point, Milwaukee, WI; and many more.

• Brian Paulsen: North Dakota Museum of Art, 2009, 96 pages, 61 full-page color and 6 black and white reproductions, hard cover, 9.25 x 6.75 inches. Text includes an essay by editor Laurel Reuter and a lengthy series of “musings” by the artist who says, “My memory is not too good for what is useful or necessary. Mostly, I remember in a collage fashion, memory of bits and pieces; the way I do art work today.” Through musing, he traces his life from childhood in an immigrant neighborhood in Seattle, studies at the University of Washington and Washington State in Pullman, teaching positions at California’s Chico State University, the University of Calgary in Canada, and finally the University of North Dakota where he spent his last twenty-five years. The artist vaguely draws his imagery from his early memory bank amassed in childhood. The art, however, is as much about art and the making of art as it is about actual life experiences.

• North Dakota Museum of Art: North Dakota Museum of Art, 2008, 148 pages, paperback with sleeve, 7 x 6 inches. Edited and written by Founding Director Laurel Reuter, the book tells the story of the founding of the North Dakota Museum of Art. The book includes a timeline and information about key projects and exhibitions such as Light and Shadow: Japanese Artists in Space (1993-94), Snow Country Prison: Interned in North Dakota (2004), The Disappeared (2005), Artists and War (2008), the Museum’s Donor Wall (an artists installation begun in 1993), and the Museum’s Mobile Gallery Program (1976). In addition, the following artists have work from the Museum’s permanent collection, or in the above exhibitions, reproduced in the book: Magdalena Abakanowicz, Machiko Agano, Bill Alkofer, Kal Asmundson, Meg Bateman, Barton Lidice Beneš, Greg Blair, Andrea Booher, Paul Bowen, Robert Brady, Marilyn Bridges, Marcelo Brodsky, Erik Budd, Kellyann Burns, John Cage, Luis Camnitzer, Sara Christensen-Blair, Maria Magdalena Campos-Pons, Peter Dean, John Doman, Jim Dow, Caroline Dukes, Juan Manuel Echavarría, Terry Evans, Richard Faulkner, Susan Fenton, Bernice Ficek-Swenson, Nancy Friese, Vance Gellert, Frank Gohlke, Patricia Hampl, David Hanson, Barbara Hatfield, Carol Hepper, Daniel Heyman, Allan Houser, Eric Hylden, Itura Ina, Lois Johnson, Carolyn Kaster, Frank Kelley, Adam Kemp, Chuck Kimmerle, Douglas Kinsey, Yoshio Kitayama, Mark Klett, Naomi Kobayashi, Masakazu Kobayashi, Alberto Korda, David Krueger, Craig Langager, Charlotte Lewis, Tom Lindfors, Kathryn Lipke Vigesaa, Patrick Luber, Mary Lucier, Will Maclean, David Madzo, Sara Maneiro, Michael Manzavrakos, Mary Ellen Mark, Janet Markarian, George McNeil, James Meyer, Zoran Mojsilov, George Morrison, Ivan Navarro, Richard Nonas, Judy Onofrio, David Opdyke, Luis González Palma, Georgie Papageorge, Brian Paulsen, Walter Piehl, Robert Polidori, Frank Sampson, Paula Santiago, Marjorie Schlossman, Fritz Scholder, Tim Schouten, Hiroyuki Shindo, Satoru Shoji, Kiki Smith, John Snyder, T. L. Solien, Jon Solinger, Steve Sorman, Chris Stinehour, Signe Stuart, Richard Szeitz, Harue Takami, Ana Tiscornia, Fernando Traverso, Claire Van Vliet, Linda Welker, [Lena McGrath], Francis Wilson, Xu Bing, and Masao Yoshimura.

• Marking the Land: Jim Dow in North Dakota: Published by the North Dakota Museum of Art in collaboration with the Center for American Places. Photographs by Jim Dow. Edited with essay by Laurel Reuter. 224 pages, 184 color photographs, SIZE, Cloth cover: $75 Soft cover: $35 Marking the Land is a visual map of the blue highways and dirt roads that crisscross the North Dakota as photographer Jim Dow wandered, occasionally slipping across the border into South Dakota and northwest Minnesota, always looking for that illusive something he had never seen or photographed before. According to Tom Rankin of Duke University, “These images reveal the eloquent complexity of the human story in North Dakota, rendered so powerfully and with such profound respect.

• The Disappeared/Los Desaparecidos: North Dakota Museum of Art and Charta, Milan, 2006. Author: Laurel Reuter with preface by Lawrence Weschler. 112 pages,88 illustrations/82 in color, paperback, English and Spanish. Based upon the internationally touring exhibition which brings together the work of twenty-five living artists from South America who, over the course of the last thirty years, have made art about Los Desaparecidos or the disappeared. These artists have lived through the horrors of the military dictatorships that rocked their countries in the latter years of the twentieth century. Some worked in the resistance; some had parents or siblings who were disappeared; others were forced into exile. The youngest were born into the aftermath of those dictatorships. And still others live in countries maimed by endless civil war.